
Dai Yu

2016-17 Season
by Bright Sheng
Dates
September 10, 13, 18, 23, 27, 29, 2016
Language
Sung in English with English and Chinese supertitles
Libretto
David Henry Hwang and Bright Sheng
Running Time
Running time is approximately 2 hours, 45 minutes including one intermission
Why You Should See It
It’s a landmark literary work put to music, complete with a steamy love triangle, court intrigue, and sumptuous period costumes ripped from your favorite wuxia film.
One of China’s greatest classical novels—as famous in China as Romeo and Juliet is in the West—recounts the love triangle between a young nobleman and two very different women: one his spiritual soulmate, the other a beautiful heiress.
"Visually opulent, superbly sung and expertly conducted!"
—San Francisco Chronicle
"Bright Sheng has a terrific feel for orchestration. He uses brass, winds and percussion (Western and Chinese) in original and highly imaginative ways. Pitches bend in ways that sound almost acrobatically impossible. Chinese folk tunes get transformed into rapturously expressive new music, gorgeously colored."
—LA Times
"Metaphorically lush moving sets and color-coded, intricately beautiful costumes provided brilliant visual elements."
—San Francisco Examiner
Despite his love for Dai Yu, Bao Yu is destined to marry another cousin, an attractive heiress, who might reverse the family’s declining fortunes.

Dai Yu

Granny Jia

Aunt Xue

The Monk/Dreamer

Handmaiden/Flower

Handmaiden/Flower
Eunuch/Stone

Eunuch/Stone

Composer and Co-librettist

Co-librettist

Conductor
Choreographer
*San Francisco Opera Debut
2016 Performances
September 10, 13, 18, 23, 27, 29
World premiere production. A co-production with the Hong Kong Arts Festival.
Audio excerpts are from the 2015 performance of Dream of the Red Chamber with the Shenzhen Orchestra conducted by Jindong Cai at Bing Concert Hall, Stanford University.
Plum blossoms, I found this flower, Never have I heard a voice/ Amy Owens (Dai Yu)/Joseph Dennis (Bao Yu).
Dive deeper by exploring articles before or after the opera!
This production is made possible, in part, by: John A. and Cynthia Fry Gunn; the Edmund W. and Jeannik Méquet Littlefield Fund; United Airlines; grants from The Andrew W. Mellon Foundation and the National Endowment for the Arts; and funding from OPERA America's Opera Fund. The commission of Dream of the Red Chamber was initiated and funded by the Chinese Heritage Foundation Friends of Minnesota, with leadership support from the Dr. M. F. Tchou Memorial Fund of the Chinese Heritage Foundation; Benjamin Y. H. and Helen C. Liu; and Ruth Stricker and the late Bruce Dayton.